Best Songs By Ozzy And Sharon in 2025

Released in 1991 from the 'No More Tears' album, 'Mama, I'm Coming Home' is perhaps the most direct and poignant testament to Ozzy's relationship with Sharon. Written with Zakk Wylde and the legendary Lemmy Kilmister, the song is a heartfelt ballad detailing Ozzy's desire for stability and his deep gratitude for Sharon's unwavering support through his struggles. It explicitly references his longing to return to the comfort and safety of his family life, which Sharon meticulously built and maintained. Sharon's role here is crucial; she was the 'Mama' he was coming home to, and her influence on his personal narrative and the evolution of his public image (from wild man to family man) made this song possible. It was a strategic move by Sharon as his manager to allow Ozzy to explore more mainstream, melodic territory, widening his appeal and showcasing his depth beyond heavy metal. Its commercial success proved this was a masterstroke, proving that even the Prince of Darkness could embrace vulnerability while still maintaining his authenticity.

While the lyrics of 'Crazy Train' don't directly reference Sharon Osbourne, her managerial role in bringing this song, and indeed Ozzy's entire solo career, to fruition is foundational. Following his dismissal from Black Sabbath, it was Sharon (then Sharon Arden) who took on the monumental task of rebuilding his image and career. She assembled the band, notably discovering Randy Rhoads, and pushed for the release of 'Blizzard of Ozz' with 'Crazy Train' as a pivotal track. Her keen business acumen and unwavering belief in Ozzy's potential allowed this iconic song to be written, produced, and released, launching one of the most successful solo careers in rock history. Without her strategic guidance and relentless advocacy, 'Crazy Train' might never have seen the light of day, or at least not with the legendary impact it ultimately had. It embodies the success derived from Sharon's early, intense dedication to her husband's career.

'Mr. Crowley' is another cornerstone track from 'Blizzard of Ozz,' an album whose very existence is a testament to Sharon's early managerial prowess. After Ozzy's tumultuous exit from Black Sabbath, it was Sharon who funded the recording sessions, fought label battles, and ultimately ensured his solo material, including this legendary track, saw release. While the song's subject matter (Aleister Crowley) doesn't directly involve Sharon, her strategic oversight in assembling the band (especially Randy Rhoads, whose iconic solo defines the song) and navigating the treacherous waters of the music industry at the time was paramount. She recognized the immense potential in Ozzy's new musical direction and tirelessly worked to bring it to the world, making 'Mr. Crowley' a high point of the album she championed. It signifies her ability to foster creative talent and present it to a global audience.

Released on 'The Ultimate Sin' in 1986, 'Shot in the Dark' represents Sharon's strategic push for broader market appeal. While Ozzy's core heavy metal fan base appreciated his heavier tracks, Sharon, as his manager, consistently looked for opportunities to expand his audience. 'Shot in the Dark' was a more melodic, radio-friendly anthem, showcasing a different facet of Ozzy's vocal capabilities and appealing to the burgeoning pop-metal scene of the mid-80s. This song's inclusion and subsequent success were a direct result of Sharon's vision to maintain Ozzy's relevance and commercial viability, even if it meant venturing into less traditionally 'heavy' territory. It highlights her entrepreneurial spirit and her readiness to adapt Ozzy's image and sound to changing musical landscapes without losing his essence.

From the 1995 album 'Ozzmosis,' 'See You on the Other Side' is a powerful, reflective ballad that speaks to themes of enduring love, commitment, and the hope of an afterlife, implicitly intertwined with his relationship with Sharon. Written with Lemmy Kilmister and Zakk Wylde, the lyrics express a deep personal sentiment that mirrors the profound bond Ozzy shares with his wife. Sharon's influence here lies in being the life partner whose constant presence and shared history makes such reflective love songs possible and believable. As his manager, she also continually steered his career through various phases, allowing him the stability to create introspective works like this, which resonate with fans who understand their complex, decades-long journey. It’s a testament to the idea that despite all the madness, the core of Ozzy’s life and artistic output is rooted in that enduring connection.

Winning a GRAMMY Award for Best Metal Performance in 1994, 'I Don't Want to Change the World' from 'No More Tears' is a powerful declaration of Ozzy's identity amidst public scrutiny and media sensationalism. The lyrics, while written from Ozzy's perspective, resonate deeply with the constant battles Sharon fought as his manager and defender against critics and moral watchdogs. She consistently advocated for his artistic freedom and his right to be himself, flaws and all. This song serves as an anthem of defiance and authenticity, a stance Sharon rigorously cultivated for Ozzy throughout his solo career. Her strategic positioning of Ozzy as an artist who, despite his antics, remained true to himself, is perfectly encapsulated in this track. It’s a reflection of his curated public persona that Sharon meticulously managed while still allowing his raw rock essence to shine.